Known as the makers of the acclaimed Cinec Prores video converter software – the first HEVC H.265 & ProRes video converter for Windows, and developers of PLIN – the Adobe Premiere Plugin to export to ProRes for Windows, the new Cinemartin Denoiser allow users to eliminate the noise in videos, including the noise or grain caused by shooting in high ISO’s or in low light conditions.
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The Spanish company, Cinemartin just announced the release of the Cinemartin Denoiser, a professional video denoiser standalone software for Windows, which works as standalone software, and outputs to ProRes, DNxHD, HEVC H.265 and H.264. And for those situations where noise needs to be removed, there is now a new solution to the problem, regardless of what camera you are shooting on whether a GH4, A7s or any other DSLR/Mirrorless or small chip camera. However on most projects, I prefer to have a very clean image. It is way more filmic, and sometimes I even end up adding real grain from 35mm film scans (FilmConvert/CrumplePop) to give my footage that extra filmic texture depending on the project I am working on. The Blackmagic Cinema camera, and the Pocket Cinema Camera on which I am mostly shooting now, stress me out a lot less in the “noise” department as the BMCC noise is quite organic and not so much of a problem. Often in “run-and-gun” situations or live events, where ambient light or fixtures are not enough to give me proper exposure, blotchy and murky video noise in the shadows was often a headache in post-production. I could live with the quirks of not having proper XLR inputs, or a decent back screen, or even the terrible moire and rolling shutter, but the unpleasant video noise I saw sometimes was something I truly dreaded.
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Whether you are shooting video on a 3 chip shoulder camera, or a large sensor DSLR, chances are you’ve been in a situation where you weren’t able to fully control the lighting condition and have often had to crank up the ISO on your camera to get the shot.Įven though modern DSLR’s/mirrorless cameras and large chip cameras are very sensitive with high tolerances for low-light compared to older cameras from the five or ten years ago, video noise is still an uphill battle for most. Shooting anything from live events, to music videos with my HVX200, then AF101 (back in the day, come on it wasn’t that long ago…) and 7D, I often saw a lot of noise in my images in low-light situations, which has generally been for me, and many shooters out there, a major challenge.
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